She only appears in memories and streams of consciousness in the novel. Marta: Marta is the love interest of Valentin, whom she lost to maintain a serious commitment to her revolutionary organization.Gabriel: The waiter with whom Molina befriends he acts as Molina’s main love interest throughout the novel.The Guard: one of the antagonists of the novel it configures Molina to spy on and retrieve information from Valentin, and receives periodic reports from him.He is a revolutionary, imprisoned for belonging to a left-wing organization that is trying to overthrow the government. Valentín: The other protagonist, and the main listener involved.Although no clear details are given of the incident he committed. She is a transgender woman who has been imprisoned for “corrupting a minor”. Molina: one of the protagonists and the main narrator.Therefore, there is a main plot, several subplots, and five additional stories that comprise the novel. The conversations between the characters, when they are not focused on the moment, are stories from movies that Molina has seen, which act as a way to escape from their environment. What is not written as dialogue or stream of consciousness is written as meta-fictional government documentation. There are also significant portions of the stream of consciousness writing. It is largely written as dialogue, with no indication of who is speaking, except for a hyphen (-) to show a change of speaker. The form of the novel is unusual in that there is no traditional narrative voice, one of the main features of fiction.

They give him morphine and he lets himself go into a dreamy state where he reconnects with his old girlfriend, Marta. In the end, Valentin is tortured and interrogated. Molina agrees to pass a message for Valentin to the political group, but dies in the process. When Molina is released on parole, the mayor constantly follows him. Molina wants to be released and return to his mother, but he doesn’t want to leave Valentine either. Molina lies to the director and tells him that he has learned nothing about Valentin’s political group, because his relationship with Valentin is strengthening. The plots of the film are parallel to the situations of the characters, and each represents a tense relationship and a portrait of manipulation. Molina shares a zombie movie at Valentine’s request for something supernatural. See also Love in the time of cholera - Gabriel García MárquezĪlthough they initially don’t seem to like each other, Molina and Valentin slowly become friends, opening up to each other and eventually sharing physical intimacy.

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